Keruo Yang
Film director and photographer, based in Beijing. Ten years on sets; now almost exclusively two subjects — children, and the body in movement.
I grew up in Beijing and trained as a filmmaker. After an MFA in Film at the University of Miami I came back and spent ten years alternating between directing and producing — short fiction, commercials, documentary projects; scouting, budgets and the floor itself.
Then I moved the weight of the work to documentary, for a straightforward reason: a rehearsed performance never beats ten honest seconds. Today I photograph children's conditioning classes, football training and matches. A 35mm prime, available light, rarely any fill, almost no direction.
Running alongside is a long-term study: children's bodies, emotions and the ideas placed around them — how a society tells a child, one small correction at a time, what a body should look like, how much feeling is acceptable, when to hold it in. No end date, no conclusions attached.
I am also the father of a football boy. He is two and a half, and he is the small back in First Touch.
- Studio
- XUNCHANG — “the ordinary” · 寻常影像
- Based
- Beijing, China
- Education
- MFA in Film, University of Miami
- Practice
- Ten years · director / producer / photographer
- Focus
- Children's documentary · motion · documentary film
- Languages
- Mandarin (native) · English (fluent)
- Tools
- 35mm primes · available light · digital and film
[to be added]
Titles, years, production companies and awards to be confirmed. If you need references for a specific project, write and I will send them.
Children's Bodies,
Emotions and the
Ideas Around Them
Begun in 2019, along three threads: Body — disciplined posture in training grounds and classrooms; Emotion — the expressions adults smooth over quickly; Being seen — the instant a child notices the watching and adjusts.
Photographed in schools, clubs and homes across Beijing, Hebei and Yunnan. All black and white, with as little environmental information as possible. Intended for a monograph and an exhibition. Academic partners, documentary teams and publishers are welcome to write.